Wednesday, April 22, 2009

FERRETING OUT THE TRUTH.

The other day I was out running errands and on the sidewalk I saw a piece of dog poop, or it was so big maybe it was from a human or even maybe from a bigger animal. Anyway, at first I kept walking but then I retraced my steps. There was something well-formed and pleasing about the poop. I knelt down and, letting my imagination play around, I molded the poop into the form of a little animal and then, when I was happy, I breathed life into it and the resulting creature was so beautiful that I multiplied it a million times and named it a “ferret.” People freaked out at suddenly being surrounded by these millions of strange new animals, so I gathered them all up, all over the world, and put the bulk of them in pet stores and in little hamster-like enclosures in private homes, and I scattered a few in a natural habitat in, uh, I don't remember where it was, probably South America I guess (these are the ferrets that I'm saying I gathered up, not the people). Then, because this redistribution freaked people out even more, I wiped from everybody on earth's memories the past few minutes, in which “ferrets” had suddenly appeared from “nowhere” (or, more precisely, from “me”), and, what was a little trickier, I implanted memories of ferrets in the minds of a few billion people—basically, into the minds of everyone who, under the new dispensation, would have been expected to know about them, for example people who live in countries where ferrets are now popular—I had to take a little more time adjusting the memories of people who actually have pet ferrets in their houses now. I also adjusted the memories of all the people who had witnessed me playing with the poop in the first place (I had been planning to do that anyway). Then I walked home. I don't have a pet ferret.

That night at about three in the morning a terrible storm broke, and since I hadn't been able to get to sleep anyway I got out of bed and made some coffee. Then at around four I went ahead and got dressed and put on my rain slicker and, I don't know why, I left my apartment and went for a walk, a walk out in the rain. I had been thinking about what I'd done, I guess, about the way I'd deceived everyone in the world, and the way I'd sort of made a fool of them. And, I don't know, I guess I felt like I ought to apologize; but the thing was that none of you guys out there knew you'd been tricked; in order to apologize to you I'd have to tell you what I'd done, to tell you that I'd made a fool of you and that those little ferrets you're cuddling are just big pieces of furry animated poop. And while that might be the just thing to do, it probably wouldn't make you feel any better. Well, this is the kind of situation I'm getting into all the time, and I suppose I'm used to it, and I know what to do when this kind of a mood comes over me. Or rather, I know the only things that I can do. So I went out into the storm and wandered the streets of the city alone, apologizing—apologizing to the rain, for lack of other company. Things are okay, I guess. Things are always okay and then one day they're over with. But I have to admit, it made me very sad, when I was out walking alone through the gray rain-blurred dawn, to see all of you out there on the sidewalks, your hands open at your sides, your eyes helpless and confused as you stood there, unable to do anything else, and watched your pet ferrets, on the sidewalks, melting in the rain.

* With apologies to The Bastard Son of the Lord Home Page.

Monday, March 23, 2009

WHO TAUGHT US? A KILL-EASE.

Lots of people have been writing in and claiming that I haven't been living up to my promise of providing you guys with material for a book, comic book, or movie to be based on my own life. I think that really the culprit here is a lack of imagination on y'all's part (every civilized language needs a second-person plural, and we Southerners are apparently the only ones who can be trusted to provide it), but fair enough. A lack of imagination, after all, is exactly the sort of thing that it's my job to anticipate.

Luckily a pretty action-packed thing happened to me this week—five or six things, actually, but I'm only going to relate one of them in this blog. Tomorrow I will write another blog relating a second one of the five or six things that happened to me this week, that were action-packed. Then the day after tomorrow I will relate a third thing, action-packed, that happened. Then the day after that I will tell you about the fifth, I mean the fourth thing (that was action-packed). Then on the next day I will tell you about the fifth thing that happened, that was action-packed. Then, depending on whether there turns out to be, once I really bear down and start counting them, five or six things that happened to me this week that were action-packed, I will tell you about the sixth thing (if it turns out that there were six) (six things, I mean). Of course I typically keep pretty busy and all sorts of stuff is always flying around in my life, so it may be that something action-packed will happen to me this week, while I'm in the middle of relating all these other things. In that case the business of relating these more recent things will have to get pushed back until I'm done with the preceeding five or six that I just told you I was going to tell you about, unless there's something about the things that crop up this week that makes it so that they really demand, or really cry out for, treatment right away, in which case I'll decide then whether or not I should break up the natural, chronological game plan that I've just laid (lain?) out for you here in this paragraph.

The first thing that I'm going to tell you about is really apropos. What happened was that I actually got shot in the shoulder while wresting control of a taxicab away from its meth-addled driver, who had totally freaked out and was going seventy miles an hour up the sidewalk and coming this close to liquifying all these pedestrians. The guy who shot me was in the backseat. Mes freres humaines, let me tell you how it happened.

My friend Giovanni and I were getting out of the Pierre Bonnard exhibit at the Metropolitan Museum (you really should go if you haven't) and we decided to take a cab to midtown, both as a luxurious splurge and because we had tickets for a show that was starting in forty-five minutes and, while we figured we would probably make it in time, we didn't want to run the risk of getting stuck in the subway for an hour while the train was delayed: unable to move, trapped underground, our (cumulatively) $300 tickets weighing uselessly in our pockets, like lead.

To be honest, I was the one who was worried about being trapped underground for hours with the expensive Broadway tickets going to waste in our pockets. As Giovanni kept pointing out, that kind of thing almost never happens. I insisted that it might. I was insistent about it.

We hailed a cab. Giovanni and I took turns hailing, and it was he who got one to stop. As the cab was pulling up to the curb, a very shady-looking character sidled up to us and asked if we were going to 45th and 8th. Why, yes, we were. He said that he coincidentally was going to the same place—was, in fact, going to the same show that we were—and asked if he could share our cab and if we could split the cost into three parts. What could we say? Naturally we assented. But as we got into the cab Giovanni and I exchanged perplexed and uneasy looks. Because there were no clear means by which this stranger could have known that we were on our way to see that particular show. Eavesdropping, even, was not a possibility: we had not referred explicitly to the show, certainly not by name, one time within the previous hour and fifty-three minutes, and we had not even entered the museum until an hour and forty-six minutes previously, and when we had mentioned the title of the show, an hour and fifty-three minutes earlier, we had been standing on the broad sidewalk by ourselves, with no one else within an eight-foot radius, more or less.

Giovanni and our nominally welcome guest got in the backseat, while the cab driver was kind enough to let me sit up front instead of forcing me to scrunch my way into the back with them. As we pulled away from the curb, Giovanni and I continued the conversation that we had begun in the Metropolitan, while looking at the Bonnards, and which we had continued as we left the museum, walked down the grand front steps of the building, traversed the sidewalk (now rather more crowded than it had been when we'd entered the museum), and hailed the cab. “The thing about Zeno,” said Giovanni, speaking of a local and rather recherche rock and roll band the progress of which it pleases him to follow, “is that they never seem to get ahead. They keep going and going, plugging away, putting all the effort they can into every song, every show, every CD. But they never seem to make real progress.”

I twisted my head so that my mouth, in a general way, pointed towards the backseat, sort of, but I kept my eyes front and on the road. Politely, I said, “Giovanni, I've been telling you and telling you that I don't care about any of this.”

“But I'm not asking you to sympathize. I'm pointing out to you that it is in itself an interesting phenomenon. Do you remember a few paragraphs ago, when you described to the millions of people reading this blog your fear of being trapped in the subway for hours?”

“Certainly I don't remember. I won't be writing that blog entry until several days from now, how could I possibly remember it?”

“Well, in any case. Imagine that you were hurtling forward with great energy, and still not making any more real progress than that subway car. I don't mean that you are expending energy and effort and not getting any results—I mean that you really are moving with a speed and force proportional to the energy you expend, and yet still you make no appreciable progress. What I'm talking about, The Silver Maker, is a paradox.”

“Okay.”

“And that still doesn't interest you?” demanded Giovanni, sounding frankly shocked. Then he went on to make some observations that actually were really quite fascinating, and which to be honest got me hooked on what he was talking about.

But a digression that interesting deserves more energy than I have available right now, as I've spent about an hour setting all this down and it's near my bedtime (I have to get up at two in the morning tomorrow). I'll lay it all out for you tomorrow, when I'm feeling fresher, and while I'm at it I'll wrap up the tale of the mysterious cab-guest, the maddened driver, the bullet, and the Broadway show we had those expensive tickets for (did we make the curtain? didn't we?).

Obviously this will necessitate some unavoidable tampering with the time-table I laid (lay?) out for you earlier. I know that many of you will object that I could stick to it, substantially at least, if I were willing to address two action-packed things in a single day's blog entry, but there is no way that my schedule, as it stands, will possibly admit of such a thing. Therefore, what with things being as, now, they are, tomorrow I will be discussing the first action-packed thing that happened to me, and not today; which is as much as to say, tomorrow I will be relating the first action-packed thing that happened to me, and not the second. The day after tomorrow, I will undertake to relate to all of you the second action-packed thing that happened to me. On the following day, I will relate the third action-packed thing. The fourth action-packed thing that happened to me this week will be related on the day following, with some discussion afterwards if time permits. As for the fifth action-packed thing that happened to me, that will be discussed on the next day. I must count up the action-packed things that happened to me in the past week; if it turns out that there were only five, then I will stop there; if there were six things that happened to me, that were action-packed, then in the next day's blog I'll tell you all about it (about the sixth thing). Life being what it is, it may happen that there will be some other action-packed occurrence between now and then, I mean the sixth (or whatever) day following from today. In that case, I will probably place that action-packed event aside, to wait its turn and be discussed after the five, or six, that I've already mentioned. But it may be that the new action-packed thing is so topical, or is of such an overriding inherent interest, that it cries out to be addressed at once. In that circumstance I shall break the hierarchy, and set the new action-packed event(s) at the forefront.

Friday, March 13, 2009

MAINTENANCE

Please excuse me while I try to persuade the Google AdSense AI to change the nature of the ads on this site from business clothing to something else, in, I admit, a not very tech-savvy way: comic book comic book comic book comic book comic book comic book comic book comic book comic book movie movie movie movie movie movie movie movie movie movie movie movie movie movie movie movie movie humor humor humor humor humor humor humor axe humor axe axe axe humor humor comic book blood humor comic book movie axe thallata comic book movie lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion lotion.  Is this a good way to influence the search engine or whatever?  I really don't know.  Write in with questions, comments, concerns.  Axe murder humor movie comic book humor comic book comic book comic book comic book batman batman superman batman batman batman batman batman batman batman batman batman batman.  I feel that different ads would work better.  I may come back and delete this post later.

Saturday, February 28, 2009

A LITTLE DATED.

I don't get out much. I'm the type who's eternally intending to buy curtains for the room that he lives in, so as to accommodate the juicy crazed orgy that he's forever planning eventually to orchestrate, but instead always seems to wind up curled into a ball on his lumpy futon with the sonnets of Lady Mary Wroth open before him, like a cat with a saucer of warm milk.

So some buds of mine—Melissa, Tammy, Sherry and Dwayne—set me up on a blind date. I made some noise about resisting and about how stupid the whole thing was, but of course I was actually grateful to them for doing the hard work of finding the attractive woman and inserting us into an at least nominally erotic context.

And speaking of nominally erotic, Candace—the woman—was a sexy, brainy blonde, in red pants no less. She was on the cusp of delivering her PhD thesis at NYU. Given my own pecadilloes, I would have preferred that she be giving it at Columbia, but like I said, she was wearing red pants; plus she did know an awful lot about post-colonial Haitian literature, and I'm always turned on by women who know more than me about some interesting topic, or about some topic that can be made interesting if you just think about it the right way, like for instance if you have some dynamic blonde twenty-six-year-old in red pants speaking about it impassionedly with her face two feet away from yours.

Anyway, it was a promising date; we went to see that documentary Man On a Wire about the guy who walked a tightrope between the two Twin Towers, and we both kept whispering “Jump! Jump!” and giggling and disturbing the other patrons and generally making ourselves feel like sexy outlaws, and afterwards we went to a small gallery with some de Koonings on display and pretended that we were thinking about buying a couple. We stepped into a corner where the gallery workers could just barely hear us and murmured gravely about the dimensions of our bathroom wall and how many more paintings it could hold.

Leaving the Upper East Side, we decided to cut west across Central Park. The idea was that we were just going for a walk—what I was thinking about, though, and what I hoped was running through her mind as well, was that the One train was on the west side, which is the train we would take if we went to her place (I hadn't yet gotten around to stocking mine with curtains) (still haven't). Although the days have been getting longer recently, I did feel a twinge of nervousness about cutting across the park so late in the afternoon. But, after all, the journey would only take fifteen minutes at most, and the sun was still in the sky. It was just my neuroses talking.

Although I did speak up when we didn't cut straight across. But she laughed at my nervousness; “Come on, live a little!” she said. “It's still light out. I'd like to cut through the Ramble.”

“It might wind up getting dark before we get out of there,” I objected. “I always get lost when I go through the Ramble.”

She looked at me like I'd nonchalantly mentioned that I still wet the bed. And in an amused way, if you know what I mean; not in a disgusted way, like if someone you were intending to soon sleep with said something like that. “Really?” she guffawed.

I laughed and shrugged. “No,” I said.

We talked about movies. It came out that I hadn't seen any of the recent ones (besides the one we'd just seen, of course, but we'd finished talking about it), since I'm so cheap that I just get DVDs from the library and watch them on my laptop, instead of paying to go to the theater. I mostly watch foreign ones, so as to supplement my language studies.

“So how many languages do you speak?” she asked.

“Oh, not any,” I said. “Or, well, English.”

We walked in silence for a while. I didn't have anything to say, but it wasn't shyness—I just didn't have anything to say. So I took her hand in order to maintain the date-ness of the whole thing, which she let me do. Surreptitiously I looked at my watch—she was letting me hold her hand, so there was a not-negligible chance that I would indeed be getting laid—in that case, I started trying to figure out what time I'd be able to get away from her apartment in the morning, so as to attend to my autodidactical studies.

She gave the movies topic another try, and started talking about Mean Streets; “I just saw it for the first time. Have you seen it?” she asked.

“It's been about ten years.”

“God, it broke my heart.”

“Yes. I love the part where Harvey Keitel is quoting Aquinas, and he can't understand why his girlfriend starts laughing at him.”

“Yeah. Why shouldn't Aquinas apply to his life, now, here, in modern-day New York? He can't see why the world he lives in should be so devoid of meaning.”

“And yet it is.”

“Yeah,” she said, satisfied (not with the fact that the world is devoid of meaning, but that we both liked the same good movie). She took a deep breath, let it out, enjoying the physical simplicity of the action, its body-ness. Then she added, “And I love how the city looks in that movie.”

“Oh, yeah. Super-picturesque.”

“God, we missed out. You know? On the real New York, the New York I used to daydream about moving to when I was wasting away in Lubbock as a little girl watching MTV. We missed out on the crummy Lower East Side, on the un-Disneyfied filthy Times Square.”

“Well. It's nice to look at. But, you know. People did kill each other a lot back then. It's nice, not getting shot.”

She sighed languidly, shrugged unconvincedly; “I guess.”

We were almost to the Ramble. No doubt it was my imagination—some effect of nerves—but it seemed to me that the park looked different somehow. Scruffier than usual. . . . I can't explain it.

It turned out to be not entirely my imagination, though; as we walked past a really surprisingly large number of crunched-up soda cans that had been abandoned in the dirt, Candace said, “Jesus, there's a lot of litter around today, isn't there?”

“Yeah,” I said, looking back at the soda cans, for some reason distracted by them. I let Candace lead me away. Only a few minutes later did I realize what had struck me—the logo on one of those Pepsi cans had been the old-fashioned one, that I hadn't seen in, jeez, fifteen years or something like that. Had that Pepsi can been sitting there for fifteen years?! No, it would have been buried by now, like the bottom layer of Troy (plus it would have been thrown away by park maintenance, even before that). Then had someone been saving a can of Pepsi in their fridge for a decade and a half?

It would have been worth doubling back for a second look, except that Candace had slowed down. I'd been holding her left hand in my right—now she transferred my hand to her right one, and ran her left up and down my back as she slowed her pace. We had just entered the outskirts of the Ramble, and the trees and bushes gave us a modicum of privacy.

She stopped completely and turned to face me; the fronts of our bodies were suddenly rubbing lightly together, noses to chests to bellies to thighs. “Well?,” she said, and then, without waiting for an answer, leaned in to kiss me, our fingers still entwined.

But the sky was getting darker. Although I returned the kiss adequately enough, I couldn't help peeking around, convinced suddenly that the only muggers left in Manhattan were watching us from the bushes. “What is it?” she asked, not unkindly, yet, but with a hint that she could get unkind pretty quick if my answer sucked.

“Maybe we should go somewhere else to do this.”

“What? It's our first kiss. Are we supposed to go back to my place for our first kiss? Anyway, I thought it was romantic. Out here in nature, or the Manhattan equivalent at least. With the light all gold and beautiful at dusk.”

“Well, yes, the dusk is part of it. It'll be dark soon.”

“What are you, a pussy?”

“I don't like being in secluded areas at night, especially when it's the kind of place where you might get lost.”

She was looking at me askance. “Is this, like, a thing you have?”

It sounded like if it was a “thing,” by which I assumed she meant “neurosis,” then she would suffer it, and so I said, “Yes, I kind of have a thing.”

Generously, she shrugged and acquiesced, and we went on our way. She couldn't help but add, though, “You know, I was reading that this used to be a cruising ground. The Ramble, I mean.”

“A what?”

“Like, a spot where gay guys would come to meet, back in the day. Before Stonewall I guess, or even in the eighties. They'd come here and hook up anonymously just before dusk and then once it got dark they'd do it, right here in the park. Guys who couldn't take other men home with them.”

I realized that Candace had a thing, herself. She'd wanted to do it in the Ramble, to live out a fantasy of the raunchy Manhattan she'd missed out on. It was as reasonable as any other fantasy, which was why I had to be extra careful not to acknowledge it, since, if she knew that I knew that she'd confessed something to me just now, the only decent thing for me to do would have been to acquiesce in this little sexual adventure. I limited myself to “Wow.”

(As Robert Smith says in that song,

If there's something you'd like to try,
Ask me, don't be shy,
I won't say no, how could I?

Well, don't ask me. Sorry.)

She waited. I didn't volunteer anything else. She changed the subject: “What kind of name is that?” she asked, as she yanked me along by the hand, “The Silver Maker?”

“English,” I said. “It's an English name.”

“Oh.” Two overweight middle-aged men regarded us from a park bench, one white and wearing middle-management attire, the other black and in a red exercise jersey and black spandex shorts, the bald white guy watching us nervously and the bald black guy unctiously. “I guess I always thought of English names as being more Vikingy,” she said. “Like Hruff, or Ordor, or Grackelschtalk.”

“I mean it's an English name as in the words are in English, like the words The, Silver, and Maker, they're all in English.”

“Ah. I see.” We rounded a corner and, as the odd couple passed out of sight, another came into view, sauntering toward us. They were walking more or less together, but separated by a few feet, and not making eye contact with or speaking to each other. They were members of different socioeconomic classes. Their eyes flickered first to me, a little sassily, and then to Candace with distaste.

Once they too were behind us Candace leaned over to me and hissed, “Did you see those guys?”

“Yeah, sure.”

“They're totally out cruising!”

“Do you think so?”

“Yeah! Did you see them? Those guys don't know each other! As soon as the sun goes down, they're going to be having sex out here! It's that old-fashioned thing I was telling you about.”

I sighed; “God, it must be so great to have things be so simple.” Hastily I added, “Not that this isn't great.”

“It's weird,” she mused. “I'd heard that people used to do that out in the Ramble. But I didn't think it happened anymore.”

I nodded, but was only half-listening. “Doesn't it seem like it's getting dark awfully fast?” I asked.

And indeed it was, almost supernaturally fast. The lights went dim and took on that luscious velvety quality of the evening's last light; we both looked up, surprised, but still only expecting to see a cloud rolling over the sun. Imagine our shock when instead we saw that swatches of atmosphere seemed to have been torn away, leaving stars visible behind the blue gauze that was remained. The moon was high, fat and red.

“Jesus,” said Candace, “look at the moon!”

“Yes.”

“It's right up above us! When we left the gallery it was only just visible over the rooftops. And it was a crescent, I'm sure of it!”

“Well, that doesn't seem likely,” I said, but without much confidence. “Hey, what if we got out of here?”

Candace agreed, and we resolved to push through the rest of the park and get to the safety of Park West Avenue as soon as we could. But apparently we had wandered off the path, for the weeds and undergrowth pulled at our calves and hampered progress. We got sort of turned around somehow and couldn't figure out which way was west anymore. We tried to orient ourselves by craning our necks to see any skyscraper rooftops in the distance, but the trees seemed to tower over us like never before.

The darkness was thick now. “We've got to just push our way out of the Ramble!” I gasped, choking on the night. “We should get to some lights, at least! Then we'll be able to find our way out!”

Candace was hunched over, grasping her chest. Coughing, she waved me ahead, followed me with her head lowered so as to bull her way through the rough foliage.

Like moles we shoved through the tunnel of night. I wanted to hold Candace's hand but the nothingness pressed in on me with such pressure that I couldn't unpin my arms from my sides—all I could do was tramp forward, or in the direction that I hoped was forward, at least—for all I knew I was turning in circles.

Then I felt a brick wall scraping against my side as I walked and I stopped, and collapsed against it. I turned around to check behind me, and, yes, there was Candace, rattled but apparently unharmed. I saw that she was coated in a thin glistening sheen of moisture, then realized that the same held true of me.

“What the eff?” she said, looking at me like I might have the answer.

Instead of trying to make something up I looked around. We were in a run-down looking courtyard. Near the wall was a wading pool with what looked like a human being in it. After a moment's hesitation, Candace and I gripped hands and walked towards it.

It was indeed a human being, not hard to make out in the ambient city light. A man in tidy-whities, thirties, thin; at first I thought he might be dead, but then I saw his chest moving, and the sight of the spent hypodermic on the ground beside the pool cleared up the mystery. There was a garden hose in the tub, we heard the bubbling noise of its underwater nozzle continuing to fill the pool. This hose snaked down from above; craning our heads up, we saw that it originated from a fifth-story window. A rope also descended from that window, tied to a bucket which rested on the ground.

“They must do transactions with that bucket,” said Candace, excited. “Like, you put the money in the bucket, they pull it up, and then they put the heroine in the bucket and lower it again. That way there's no faces.”

Reasonable. Thinking it advisable to do a little more reconnaissance, we crept forward, then poked our heads out of the courtyard and looked at the street beyond.

A few, a very few, pedestrians. Some cars going by—old, but fantastically well-maintained.

Candace screwed her face up in confusion. “Why,” she said, “this looks like Avenue B . . . except. . . .”

Gunshots rang out in the night. Candace looked up at me in terror.

“My God,” she said. “This is Manhattan in the 80's!”

“Damn right,” I said grimly.

“What are we going to do?” she asked breathlessly.

“Whatever it takes,” I said equanimously.

She seemed startled. “You're taking this awful well. We're liable to get killed, you know.”

And what can I say? I did take it well—took it better than I'd ever taken anything in my life. It turned out that I'd been right all along. This was, indeed, what I'd been born for: danger.

I looked at her wet wide eyes and softened. I cupped the curve of her lower jaw in the palm of my hand and leaned in to kiss her, at least this once, full, on the mouth.

I took her hand and pulled her after me into the night . . . as for how we got through that long night of twenty-five years, through all its diversions, temptations, and razors' edges, and for how we returned here, to the placid safety of 2009: there isn't the space to say it all.

As to whether the moral of this tale is that you should or shouldn't let strange women lead you on rambles through the dusk?

That all depends on your mettle.

Friday, February 20, 2009

CAN YOU DRIGG IT?

I know that I've been remiss as a blogger these past couple of weeks, but I have a good excuse.  Ten days ago or so--shortly after my last post--I went to dinner at a friend's apartment in Williamsburg.  We had spicy beans and rice, and washed it down with two bottles of Los Vascos, a Chilean red, available for under ten dollars, bold, tannic.  Like I said, we had a bottle apiece.  For me this used to be par for the course but, in my dotage, I've lost some of my endurance, and so as I was walking back to the L train along Driggs Avenue I was, well, let's just say that I was unqualified to operate heavy machinery.  I'm a relatively big guy and so normally get left alone on the street (and, in any case, as if New York's dangerous, unless you go to certain poor neighborhoods, but I don't know any poor people so that never comes up); however, I guess I was swaying or staggering or otherwise visibly intoxicated, because I wound up attracting some hostile attention.  Or maybe I didn't look tipsy at all, maybe it was just a matter of strength in numbers, since it was a group of about ten guys that came over to harass me.  This was in that big park that Driggs Avenue cuts across, I forget what it's called.  It's pretty well-lit so I was surprised to run into trouble.  These punks surrounded me and were kind of shoving and cuffing me; I tried to make light of it.  They ordered me to walk along with them deeper into the park.  I didn't really want to, but what could I do?  At first I was worried that they were going to walk me into some dark secluded area of the park; but, whereas it was all secluded (as in no one was there, everyone presumably being in bed), none of it really seemed to be dark.  Especially not by the monkey bars, which was where we were heading.  They were just kids out messing around, I figured, and, while things might get ugly for a while, there was also a good chance that by the time we greeted the dawn we would have become friends.  That is a really big park, and the monkey bars were far away, especially if you were drunk and not really into walking to the monkey bars in the first place.  I tried goofing around with the guys to show I was just like them, and told them the one joke I know, the voodoo-dick joke.  That got some laughs.  Then we finally got to the monkey bars.  I'd spent the last couple of minutes with my wallet in my hand, waiting for someone to demand it so that I could give it to him and be on my way again to the L train (I'd cleverly slipped my Metro card out of the wallet and into my back pocket).  Then, there at the monkey bars, the guys all gathered around me and knocked me down and started kicking me and beat me to death, I died, they killed me.

Wednesday, February 4, 2009

LA NAUSEE, OR: I SARTRE SCREWED UP THAT INTERVIEW, I GUESS.

What with the economic downturn everyone seems to be worrying about losing their jobs but those like me, who've been unemployed for years, have less to stress over. Even so, I do occasionally feel the urge to work and by giving into that urge I open myself up to the kinds of grief that other segments of the population know so well. Thus do I maintain the bonds of kinship between you and me.

My buddy turned me on to a hip law firm with offices just southwest of midtown; he does freelance stuff for them (this and that but mainly the other), and he told me that they might have more traditional work open for me. I called up the office and on the basis of my friend's name was transferred straight to the founding partner, who gave me an appointment for an interview.

Promising stuff, and I didn't want to blow it, so I called my friend to ask for advice; should I wear a suit, was there anything I should lie about, that kind of thing. He told me to just relax, etc., be you-know-who (myself), and when I asked him if he thought business casual would be formal enough he told me that it might even be too formal. This is not a law firm like other law firms; the founding partner is in her early thirties, it's staffed almost entirely by paralegals, and they mainly do hip fun stuff like finagling green cards for foreign artists and performers. The founding partner's name is Vivian; my friend said to me, “The other day I went into the office and Vivian was wearing a shirt with a gun printed on it. During office hours. In front of clients. I would strongly advise against wearing a tie.”

A good thing, since I've again forgotten how to tie a tie. I went to the appointment wearing a knit shirt and thin, worn slacks ($4, Salvation Army). To fill out my brainy-and-cultured-but-not-into-all-that-bullcrap-image-stuff image, I popped the paperback of La Nausee into my back pocket, which I'm reading in the original French (obviously, or else I would have called it Nausea). Sort of with the title just poking out, so that everyone could see it, and see how I just sort of carried it nonchalantly like that, like how a working-class man would carry a book if working-class people read.

So I showed up to the appointment, only twenty minutes late or so (because I thought the office was on 37th instead of 39th (I don't know why I thought that)). I rode the elevator up to the seventh floor and when the doors opened I saw that people were wearing ties and that everyone was in business casual, at least. The women weren't wearing ties, of course, except that some of them were. They were that fashionable, that they were wearing neckties. (In my provincial youth I thought that that was the most fashionable thing a woman could do, since they never did it in the provinces but they did it all the time in eighties movies shot in New York.) The elevator opened directly onto a large open space with white walls and desks set along the walls, and good-looking well-dressed young people looking curiously at me. The offices—Vivian's, presumably, and another one beside it—were separated from the open floor by glass walls only.

I sucked in my gut and walked up to the amused and gorgeous secretary of indeterminate race draped in a glorious sari (she was draped in it, not me or her race) and told her my name. Meanwhile I'd noticed that some of the good-looking clients talking seriously with the very passable-looking lawyers or paralegals or whatever sounded French, and so in order to hide La Nausee I nonchalantly tugged down at the back of my knit shirt like a fifth-grader trying to cover up his poopie pants, since I'd only planned to have to impress fellow Americans and had not counted on bumping into any actual French people who might try to speak French to me and expect me to be able to answer. I should have said like a second-grader, not like a fifth-grader, I never shat my pants as late as the fifth grade.

Vivian came out to meet me, very competent and beautiful so that I immediately fell in love with her, she was not wearing a picture of a gun. She grinned and took my hand; “Hi!” she said, very Americanishly, “are you The Silver Maker?”

“Yes,” I said, “pleased to meet you, Terrence has told me so much about you.” Terrence is that freelance guy I mentioned.

“He does great work,” she gushed as she led me back to her glass-walled office, “we just all love him.”

In the office I sit down in a hip and elegant chair, kind of like a lawn chair, two orange strips of material on a wire frame. Very spare, with a dash of humor from the orange. A guy I used to work with used to refer to the knit shirt I had on as the “lentil shirt,” because . . . well, regardless. Vivian pointed out the view she had from her office—which I had to twist my neck around to see—and then pointed through the glass wall to the neighboring office. “That's Glenn,” she said, “my fellow founder.”

Glenn was not much older than I, his premature baldness more than made up for by the whole prosperous glow thing. He was wearing high-end business casual. Seeing us looking at him, he pantomimed a mime feeling his way along an invisible wall, except that of course he was feeling his way along the real, albeit transparent, wall. He pulled a face, a mime's distressed grimace. Then he and Vivian both laughed and made throwing gestures at each other, a sort of deeply affectionate “oh, you.” Then Vivian turned her attention back to me.

She explained the purpose of the law firm, which, you know, I just explained to you a second ago, so I won't repeat it now. Then, after an awkward few moments during which it became clear that I wasn't going to volunteer the information, she asked me about my recent work experience. I recounted it in the most aggrandized way possible (retail work, part-time arts admin, freelance gigs scoured from Craig's List, a kind of mild fluffy pink poverty).

“You're a writer,” she said. “That's good. Any experience in legal writing?”

“I think I could totally get the hang of it.”

“Uh-huh. On your resume it said that you know French and Japanese. We've got a lot of French and Japanese clients. You think you might be able to help us to communicate with them?”

“Well, to be honest with you—because I don't want to lie—to be honest with you, yes, I do know some Japanese and some French. But the odds are that your clients have better English than I do Japanese and French.”

“Uh-huh. That's cool.”

“Yeah.”

“It also says something on your resume about Spanish?”

“Oh, yeah, but I just started taking lessons. Or, well, I mean, I've been studying it for a few years. But I've only recently started to really bear down.”

“Okay.”

“Uh-huh.” At this point I think I made a joke, I don't remember what it was.

“All right!” she said brightly, grinned, handed me a card. Her business cards were miniature passports that opened up to reveal her photo and contact info. “Why don't you just take that, and I'll—we have your email address, right?”

“Yeah, it's on my resume,” I said, trying to remember if I'd remembered to include my email address in my resume.

“Awesome, well, why don't you just go home, and I'll look around if we have any trial writing assignments for you, and if we do, uh. . . .”

“Awesome, thanks,” I said, and stood up with a burst of nervous energy. La Nausee had wormed halfway out of my back pocket while I'd been sitting there, and it caught against the orange material that had been supporting my back. I was shoving down on the armrests as I stood, so the chair stayed put, and I kept rising, so what gave was my pants, the seat of them ripping out with a big noise. La Nausee fell all the way out of the now-ruined pocket and I bent over to pick it up, mooning Vivian in the process (the seat of my pants was hanging in a strip almost down to the back of my knee). I was wearing my red bikini-cut briefs. An ex bought them for me because she thought they looked sexy. I only wear them when I'm not expecting anyone to see me getting undressed.

“What happened?” she said, not smiling, but not frowning either.

I waved my hand oh-shucksishly, rolled my eyes, chuckled. “Oh, you know.”

I held La Nausee in my hands for a moment, very self-conscious because of how conspicuous it suddenly seemed, and also worried in my bibliophilic way about the damage my hyper-sweaty palms must be doing to its fifty-year-old yellowed paper cover. Finally I just stuck it into my left back pocket, although it took a moment's squirming before I could manage to stuff it in there beside my wallet. “Okay,” I said to Vivian.

“Okay,” she said.

I sidled out of the office. It seemed to me that all the occupants of the room were either staring at the seat of my pants or else pointedly not staring at it. In Japanese the seat of the pants is “shiri;” or, rather, “shiri” has a range of meanings, including “the buttocks, backside; the base; the rear.” “Trousers” are “zubon,” so “seat of the pants” should be “zubon no shiri.” The way to describe the situation I've just recounted would be, in Japanese, “Zubon no shiri ga yaburete hazukashikatta.”

Um, okay, well. I'm not immediately sure how to transfer that into a novel, film, or comic book. So that'll be the next installment, I guess.

CHRONICLE OF A BLOG FORETOLD.

Hello, The Silver Maker here. So. This blog is not intended as a confessional or a publicized diary. I may in the course of things “express” a “feeling,” or a “thought,” or my “self,” but the real purpose of this blog is ravenously commercial. Here's how it works: in each post I will tell you the events of my past week, and try to give a hint as to how they could be fashioned into a workable novel/film/comic book. Anyone who wants to purchase the events for use in their film/comic book/novel can do so for $500. If someone has already purchased the week of my life that you want to use, don't worry, I can have another week any time I want if the price is right. (When I say “any time I want,” obviously I do not include the past.)